Kelly Drown

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Plasma Art

Having fun with photographing a plasma ball at close range, then processing them in Photoshop for some dramatic effects.
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  • This started out with photographing a plasma ball at close range using the Canon 80-200 L at 200mm, ISO 100 and f13 for good dof. Six second exposure blurs the electricity and allows me to control where the current lfows. In this case, my finger on the top of the glass caused the current to flow upward. After that, I used a little creative photoshop work to add a "smoke" on top, a light flare from the brightest source, then a water-like foreground with reflection to top it off.

    This started out with photographing a plasma ball at close range using the Canon 80-200 L at 200mm, ISO 100 and f13 for good dof. Six second exposure blurs the electricity and allows me to control where the current lfows. In this case, my finger on the top of the glass caused the current to flow upward. After that, I used a little creative photoshop work to add a "smoke" on top, a light flare from the brightest source, then a water-like foreground with reflection to top it off.

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    This started out with photographing a plasma ball at close range using the Canon 80-200 L at 200mm, ISO 100 and f13 for good dof. Six second exposure blurs the electricity and allows me to control where the current lfows. In this case, my finger on the top of the glass caused the current to flow upward. After that, I used a little creative photoshop work to add a "smoke" on top, a light flare from the brightest source, then a water-like foreground with reflection to top it off.
    IMG_0995-Edit.jpg
    IMG_0998-Edit-2.jpg